Oh hey. I've been keeping an eye on MoTK just in case this thread happened to be updated.
TAC seems super promising, especially if we're getting more tracks from the elusive veteran DO, as the last I heard of them was the april fools' album they did with Misora waaaay back a few years ago. Can't wait!
Also 2hu internet Napoleon, [/size]
I also was able to hear Useless' not-WBaWC-and-SLB extra tracks and
HOLY HOT DAMN are those some of the catchiest/amazing Touhou-like tracks I have ever heard, almost
improving upon probably one of my most favorite Touhou soundtracks ever with uniquely-modeled reinterpretations of Useless' own making!
東方風研究 ~ Smells Like Beer. vol.2 (Tōhō Fukenkyū, "Eastern Fan Research") (東方風 is the Japanese signifier of Touhou-style fan content you can find on Nicovideo and Pixiv)
1. おおきなのっぽの──
Noppo-no-Okina Yeah, not super sure what this is meant to be a pun on.
2. 並行する古き良き時代 ~ Contemporary Period
The Good 'Ole Days in Kindred ~ Contemporary Period
3. 人造「パーフェクト・アンド・ウロング」
Imitation "Perfect and Wrong"
4. 【削除済】時間大逆罪
The L?se-Majest? at O'Clock Yes, part of the song's title is "censored" like that (the Japanese SCP Foundation renders "expunged" and "omitted" text fragments with the phrase 削除済, lit. "deleted")
5. 凍てつく青い鳥
The Frozen Bluebird
6. あの日のロマンティック・トランペット
Romantic Trumpet of the Day
To comment on the songs in order;
(No.1) wow that slow, guitar/piano-centric buildup, especially with the solo piano portion partway through. When the song fully kicks in it actually has a waaay different mood compared to Unlocated Hell, especially due to the altered time signature and it's key change. It gets to that rhythm eventually but still.
(No.2) I was already hooked hearing it as a single on Useless' Soundcloud, but I really love just how much this song focuses on the guitar. It doesn't use synths as much as Fortune and Misfortune does so it feels lighter in a way.
(No.3) ...what was that start? Is that a train or something??? HOLY CRAP THIS IS NOT BEAST METROPOLIS LISTEN TO THOSE SYNTHS
LISTEN TO THEM I SAY It's almost supposed to be the equivalent of Joutounin of Ceramics (much like how Track 4 from Vol.1 used much more instrumentation from Submerged Bovine than Lost River), and I reaaaaally like it that way,
(No.4) Wow, this almost is Electric Heritage as a boss theme. Especially with those honking and fading synths, though the Ceramics squelch synths burst in
(No.5) Now
THIS is really confusing, because we're going back to Jelly Stone and Lamentations for some reason? I am not complaining because holy crap I love how spacey and hectic this sounds. I could almost hear a sense of happiness in this, but the very slightly minor key adds a bit of drama to it as well.
(No.6) Unexpectedly, we have a mishmash of many tracks from both volumes in a medley that has a steadily-increasing BPM (and it gets REALLY FAST by the end, seriously). I am not sure if this is supposed to be a final boss theme or an unnaturally-dramatic staff roll theme.